Rewilding areas do not usually conform(符合，遵从) to traditional notions of beauty in England’s green and pleasant land(绿意盎然、令人愉悦的土地). Detractors may bewail(哀叹，悲叹) the beaver-felled trees, untidy scrub(灌木丛，矮树丛), deadwood(枯木，死木), weeds, mud and “mess”.
在英格兰这片绿意盎然、令人愉悦的土地上，再野化区域通常不符合传统的美学观念。批评者可能会哀叹被河狸啃倒的树木、杂乱的灌木、枯木、野草、泥泞和“混乱”。
But a new exhibition highlights the aesthetic delights that can be discovered on rewilding sites where fungi grows on dying trees, water buffalo gather in new wetlands and brown-watered beaver pools flood once-desiccated fields.(但一场新展览聚焦于再野化场地中可发现的审美乐趣：真菌在垂死的树木上生长，水牛在新的湿地聚集，褐色的河狸池塘淹没曾经干涸的田地。)
但一场新展览聚焦于再野化场地中可发现的审美乐趣：真菌在垂死的树木上生长，水牛在新的湿地聚集，褐色的河狸池塘淹没曾经干涸的田地。
The artist Rebecca Howard devoted two years to visiting rewilding projects across England before spending a month painting each of nine large canvases that reveal what happens when people step back from intensive management of land and allow wild nature to take a leading role.(艺术家丽贝卡·霍华德用两年时间走访英格兰各地的再野化项目，随后每月完成一幅画作，共创作了九幅大型油画，展现当人们不再对土地进行集约化管理、让野生自然发挥主导作用时会发生什么。)
艺术家丽贝卡·霍华德用两年时间走访英格兰各地的再野化项目，随后每月完成一幅画作，共创作了九幅大型油画，展现当人们不再对土地进行集约化管理、让野生自然发挥主导作用时会发生什么。