I watched the extraordinary(非凡的；令人震撼的) new Guardian-produced documentary from Oscar-winning Israeli film-makers Yuval Abraham and Rachel Szor the other night, and I have struggled to stop thinking about it ever since. The film’s title comes from a Hebrew military term for collateral damage, and it consists of eye-opening interviews with two dozen Israeli soldiers and intelligence officers sitting in darkness, often on the rooftops of Tel Aviv, their voices “digitally altered to disguise their identities”.(影片的标题来自一个希伯来语军事术语，意为“附带损伤”；影片由对二十多名以色列士兵和情报官员的采访组成，他们坐在黑暗中，常常是在特拉维夫的天台上，声音“经过数字处理以隐藏身份”。)
前几天晚上，我看了那部由奥斯卡获奖以色列电影人尤瓦尔·亚伯拉罕和拉谢尔·索尔制作、令人震撼的新纪录片，由《卫报》出品。自那以后，我一直难以停止思考它。影片的标题来自一个希伯来语军事术语，意为“附带损伤”。影片由对二十多名以色列士兵和情报官员的采访组成，这些采访令人大开眼界。受访者坐在黑暗中，常常是在特拉维夫的天台上，他们的声音“经过数字处理以隐藏身份”。
At one point, Abraham asks one of the soldiers a remarkably blunt(直白的；不客气的) question.
在某一刻，亚伯拉罕向其中一名士兵提出了一个极其直白的问题。
“Do you think it’s a genocide(种族灭绝)?”
“你认为这是种族灭绝吗？”
The ‘human shields’ defense
“人肉盾牌”辩护
The children
儿童
The ‘terrorist’ body count
“恐怖分子”死亡人数
The food lines
食物分发队列
Comparisons
比较
The ‘blood libel’
“血祭诽谤”